In some of our previous blog posts we
have looked at other ceramics produced in the early years of the 19th-century
in Philadelphia (for example, see Made in
America: Philadelphia Queensware Pottery in the Early 19th Century,
December 16, 2016), but now we turn to some pieces that are a little more
mysterious.
Philadelphia was the largest urban
area in the United States at the turn of the 19th-century and many
important potteries operated there. Several of these potteries were located in
the oldest sections of the city. One of these was the Abraham Miller Pottery on
Zane Street (now Filbert) between Seventh and Eighth Streets. An earlier
pottery, owned by Daniel Topham, was established on this lot in the 1760s.
Topham is believed to have produced mainly red earthenwares (redware) at his
pottery, using clays dug from nearby parts of the city. Following Topham’s
death in 1783, the property was purchased by Andrew Miller, Sr., who also
produced redwares. Miller appears in the
1798 federal tax assessment as owning a “house & Lott in Zan st” as well as
a frame stable and brick pot house.By 1799, Andrew Miller, Sr’s oldest
son Andrew, Jr. had joined him in the running of the pottery. His younger son, Abraham,
is listed in city directories for 1806-1808 as a “potter” and it is not known
if he was a partner at that time.
In 1809, the two sons took over the
operations of the pottery from their father. They became known for production
of “Common coarse earthen ware”, mainly in the form of black and brown tea
pots. Andrew, Jr. died in 1821 and their father in 1826 and Abraham took control
of the pottery. He soon added black and red tea and coffee pots, portable
earthenware furnaces, fire bricks, sugar molds, and other ceramic wares to the
production. Miller became highly
successful and moved the manufacturing portion of his works to a new site on
James Street, while retaining the warehouse at Zane Street. In the 1850s, he
bought property on Callowhill Street and moved his operations there.
Advertisement for Abraham Miller’s
pottery on Callowhill Street (from Susan Myers 1980)
The State Museum of Pennsylvania (TSMOP)
curates several pieces of Abraham Miller’s pottery. We know that this is
Miller’s work due to the fact that these pieces are marked on the base with “ABM
MILLER”, as seen in the photo below. “Maker’s marks” such as this one were
often used by potteries to identify their work to the public. A maker’s mark
can consist of a company name, an individual’s name, or even a symbol, such as
an anchor or an eagle.
Abraham Miller Maker’s Mark on base of
bowl
However, marked Abraham Miller
ceramics have been found elsewhere in Philadelphia. The pieces of Miller
pottery in the TSMOP collections were recovered from two archaeological sites about
two blocks from the Miller pottery on Callowhill Street - sites 36Ph49 and 36Ph84. Site 36Ph49 was discovered during investigations
for the Gateway Redevelopment Project that were conducted in 1991. The Gateway
parcel was located within the block bounded by North 15th, North 16th, and Spring
streets and the Vine Street expressway exit ramp.\
A bowl, a baking dish, and two plates
with Miller’s mark were recovered from 36Ph49. The two plates are identical and
may have been part of a set. They resemble yellow ware in color but have a hard
white paste and dimpled glaze that looks like orange
peel, which is usually indicative of salt-glazing (adding salt to the firing
process).
Plates from site 36Ph49
Orange peel-like dimpling in glaze of
plate, indicating salt-glazing in the kiln
The bowl is cream colored and unevenly
shaped with orange peel dimpled glaze. It is reminiscent of creamware but is
too thick and poorly glazed to be categorized as such.
Cream colored bowl from site 36Ph49
The baking dish is also a thick and
poorly glazed piece with a greenish-yellow color and vitreous paste.
Baking
dish from site 36Ph49
Baking dish from site 36Ph49 showing
over-fired glaze and maker’s mark
Site 36Ph84 was located approximately a
block north of site 36Ph49 under what is currently the Vine Street Expressway
and was discovered during surveys for that project. Once a residential
neighborhood, the buildings here would have been demolished to make way for the
highway. A bowl and a plate with Miller’s mark were discovered at this site.
The plate is the same size and design as the two plates recovered from site
36Ph49 except that the appearance is more in line with a typical yellow ware
piece.
Possible yellow ware plate from site
36Ph84
The wide-lipped bowl is similar to the
baking dish from 36Ph49. The appearance of the glaze is a greenish-yellow and
is burned and bubbled in many spots. This piece is heavy and thick with a hard
paste.
Greenish-yellow bowl with over-fired
glaze from site 36Ph84
Back of bowl from 36Ph84 showing
over-fired glaze
So, what do we make of these strange
pieces that don’t exactly “fit the mold”? Abraham Miller is known to have
experimented throughout his career with various types of earthenwares – porcelain,
white earthenware, queensware, yellow ware, Rockingham-like brownware, and
bisquit. It is quite possible these pieces in the TSMOP collections represent
examples of the experimentation of Abraham Miller in his pottery. Perhaps he
was trying to invent a new type of pottery by putting together different
combinations of glazes, pastes, and firing techniques, but couldn’t quite
perfect it before his death in 1858.
Until more is known about Miller’s
work, it is possible to continue to speculate about these unusual specimens. And
to wonder what other interesting pieces may be in the collections that are not
marked with Miller’s name…
We hope you have enjoyed this post and
encourage you to read more about this early industry in Pennsylvania and potteries
in your community. A current exhibit at Landis Valley Farm Museum (https://www.landisvalleymuseum.org/explore/collections/visitor-center-exhibit/) highlights some of the redware potters of
Pennsylvania and includes pieces from the archaeology collection of the State
Museum. Preserving the history and works
of these early crafts is important in recognizing the value of archaeology in
our communities and appreciating our heritage.
Sources Used and Additional Reading:
Barber, Edwin Atlee
1893 Pottery and
Porcelain of the United States. G. P. Putnam’s Sons, New York. Reprinted
1976 by Feingold & Lewis, New York, NY.
Myers, Susan H.
1980 Handcraft to Industry: Philadelphia Ceramics in the First Half of the
Nineteenth Century. Smithsonian Institution Press, Washington, DC.
Ramsay, John
1947 American Potters and
Pottery. Tudor Publishing Co., New York, NY.